The Hamilton Arts Council Artist Residency Program is a 3-month rotating artist residency in The Cotton Factory. This valuable opportunity provides artists from a wide range of disciplines and career levels to build their practice. Participating artists are encouraged to use their time to experiment, develop new ideas and learn new skills in addition to forming meaningful ties with their fellow artists in residence and Cotton Factory tenants. The participating artists will be required to deliver an artist talk and open house during the final week of their residency.

The Cotton Factory is a creative community in the heart of lower Hamilton. This former industrial building from 1900 is a prime example of adaptive reuse. It has been transformed from a cotton mill into a creative industries complex, with space for workshops, galleries, office space for creative professionals and studios for artists.

The Cotton Factory continues to demonstrate, ongoing commitment to fostering emerging artist practices as well as their continued contribution to Hamilton’s flourishing contemporary art community.

The studio is located on the second floor of the Storehouse Building at the Cotton Factory (270 Sherman Avenue North, Hamilton)



Hamilton Arts Council: Artist Residency at The Cotton Factory

The Cotton Factory has generously donated a studio space for the Hamilton Arts Council to facilitate an artist-in-residence program. This residency program provides a valuable opportunity for artists from a wide range of disciplines and career levels to build their practice and engage with a flourishing hub of artistic activity. We are seeking applications for this rotating self directed artist-in-residence program. The dates and deadlines are listed below.

The successful applicant will be expected to use the space a minimum of 2-3 days per week and perform an artist talk or workshop in conjunction with a culminating open studio, open to the public.

Two artists will be selected for each term and are expected to share the studio space.

* Please note you must be a member of the Hamilton Arts Council in order to be considered for this opportunity.



Please provide the following information:

  • Letter of intent/ project proposal (500 words max)
  • Short Biography (100 words max)
  • Artist Statement (350 words max)
  • Curriculum Vitae (3 pages max)
  • 10 images (max) in JPEG format or links to youtube or vimeo files

Next Residency:

  • April – June 2018                                       Deadline:  March 2, 2018  (Closed)
  • July – September 2018                              Deadline:  May 1, 2018   [Extended]
  • November – January 2019                         Deadline:  September 7, 2018
  • [October  – Visiting Artist Residency – Estonia]

Results will be communicated shortly after the deadline. Due to the high volume of applications we receive, only the successful applicant will be notified.

Please send applications in a single email to

Please include Cotton Factory Residency Application in the subject line of your email.

The Hamilton Arts Council Residency Program as well as the accompanying speakers series,  is made possible through project from th Ontario Arts Council and The Cotton Factory.

  • 22nd Annual Hamilton Literary Awards: Poetry Finalists

    November 6, 2015 by Stephen Near

    This is the first in a four part blog series showcasing the finalists of this year's 22nd Annual Hamilton Literary Awards. Find out which authors will take home the prizes by attending the gala celebration on Dec. 08, 2015 at Theatre Aquarius.

    Hamilton is a city that abounds in poets, and this year's finalists speak to the diversity and strength of the poetry being written in our city. From Skinny-Dipping with the Muse by Ellen S. Jaffe, Moon Baboon Canoe by Gary Barwin, and Steeltown for Mary by Martin Durkin, these books move from the conversational to the surreal and blur the boundaries between genres.

    Ellen S. Jaffe’s four-part collection Skinny-Dipping with the Muse is a remarkable exploration of the vulnerability and power of poetry. In an undeniably feminine voice, she tracks the pain and triumphs of childhood, family, and writing itself, inviting the reader to reconsider the intimacies and wonders of everyday life and creativity. Jaffe’s lines are both fluid and sharp, warm and jarring, but always insightful as she delves into the complex relationship between language and experience. 

    In Moon Baboon Canoe we once again see the razor wit, innovation, and sensitivity characteristic of Gary Barwin. His newest collection will challenge and entertain readers, bringing equal depth to topics as universal as time and those as intimate as the life of a squirrel. His quirky, minimalist lines are refreshing, attentive, and all the more powerful for their sparseness. In them, Barwin questions the very way we see ourselves and our world, giving readers a new set of glasses from beginning to end. 

    SteelTown for Mary, Memoirs From a Dick by Martin Durkin is an entirely unique work following the life and memories of a Hamilton detective. With a gritty yet endearing tone, Durkin combines the best of poetry, narrative, mystery, and romance to paint a detailed portrait of both character and setting. It is a tale of grief, discovery, and moving forward, but ultimately a tale of the heart and the home.

    This year's Award for Poetry is sponsored by:

    Next: the finalists for Non-Fiction



    November 4, 2015 by Marie Franek

    (This is the third of a 4-part series of blog posts following Studio Babette Puppet Theatre's travels to three different WWI Commemorations in three different cities, to perform their WWI play with puppets, From Ruthven to Passchendaele)

    by Kerry Corrigan

    The midway stop on our fall tour was Ruthven Park, familiar ground for us, as it's where the play originated. We arrived for move-in on Saturday afternoon and the exhibitors were still set up from the first day of the event. It was reminiscent of the Southampton Commemorative, this time with vehicles in the large tent behind the coach house, including a couple of Model T's (one of which sold at the end of the day) and an authentic outdoor cook wagon. They even had free samples of beans. We had a terrific time checking everything out before they packed up, and we got down to building our set and hanging our lights and sound, a process we've done so many times now, I think we could do it in our sleep.

    Sunday's performance found us with a large audience, with a number of men in WWI uniform and even a nurse, dressed just like Lydia. Before the show, there was a wonderful equestrian display outside the coach house. Two soldiers, an officer and an enlisted man, showed up to demonstrate their horsemanship – they looked exactly like Drew and Mike! They even took Drew for a short ride. Then another two young women (sorry no names as yet) showed us how they hope to qualify for the Olympics in dressage with their two beautiful mounts, one named Althea.


    Now I'm not one to believe in curses, (although I never mention the Scottish play) and when I signed off on my first blog entry, way back when, with “I'll check back in next week and let you know how our road trip went, whether we had any disasters and how we were received”, I really didn't mean to jinx the tour. But after falling off the stage in Southampton, I should have known to be on the lookout for something to go wrong at Ruthven. Well, we had a great show, one of our best ever I venture, with some tears in the audience at the rousing finale.


    Even though the arm on one of my puppets came unattached. As soon as I picked up Lieutenant Colonel Andrew Thorburn Thompson to enter for scene IV, I knew something was wrong – his hand was hanging perilously low out of his shirt sleeve. A quick check confirmed my suspicions, the arm had completely unattached at the shoulder.  I quickly shoved it back up the sleeve and entered for the scene. (and yes I should have checked him earlier – I KNOW!)

    Acting is all about focus. There is a curious thing that happens to an actor when something goes wrong on stage. You find yourself going through the motions, delivering the lines with as much meaning as ever, while simultaneously your mind races ahead, trying to anticipate if the malfunction at hand will impact on what's to come, and what you'll do to handle it. I was getting away with just clutching the Colonel's arm during the scene with my two sons Drew and Walter, until I realized I needed to salute – yikes! When the moment came, I raised his arm, his hand really sticking out too far from his sleeve but I don't think anyone noticed.

    The scene ended and I exited but I really had no time to do any repair before my next scene, when the Colonel enters on the boat. Again I clutched his arm and charged ahead with the scene, except that in this scene the Colonel is much more animated, as he is addressing a large portion of his Battalion. Our table-top puppets have rather heavy heads that must always be supported, so you only ever have one hand to manipulate arms and legs. At one point, the arm simply slid right out of the sleeve and landed on the table, but luckily it was behind the canvas boat railing and so the accident went unseen. But what to do with the arm now? I couldn't shove it back up the sleeve during the scene, I didn't have enough hands. So I grabbed it with my right hand and held that puppet arm hidden behind my back as I exited the stage, manipulating the Colonel with my left hand – jeez.

    Now I had some down time backstage to address the issue, and found the puppeteers handy fix-it that we keep for just such emergencies – sticky Velcro. I quickly applied some to the inside sleeves on either side. It wouldn't hold forever but it would see me through til the end of the show. Here's the Colonel on my work bench, awaiting repair.

    Join us this Saturday for the final instalment of our fall tour - where everything will run as smooth as clockwork!

    Hamilton Goes to War – A Day of Commemoration
    Saturday November 7; 1pm & 3pm
    Dundurn National Historic Site
    Hamilton Military Museum
    610 York Boulevard, Hamilton
    (905) 546-2424

    I 'll write a quick wrap-up next week, thanks for indulging me.


  • 22nd Annual Hamilton Literary Awards Finalists

    October 27, 2015 by Stephen Near

    The end of the year is particularly exciting for us here at the Hamilton Arts Council, since it's around this time that we find out who our finalists will be in the annual Literary Awards. The Literary Awards are a signature event for the Hamilton Arts Council; one that we're very proud to continue holding year after year.

    A diversity of Hamilton titles for consideration

    This year we're especially pleased as we’ve had an abundance of books submitted: 20 books in total and in all four categories. In addition to this year’s awards for Fiction, Non-Fiction, and Poetry, we are once again presenting the Kerry Schooley Award. This award is given to the book that is most evocative of the Hamilton region and was named in honour of the late literary icon Kerry Schooley. This year's submissions are all of the highest calibre and have generated a lot of excitement at our offices. What's more, our adjudicators were especially pleased with the diversity of the submitted titles, and we're confident that this year's Awards gala will truly showcase the finest literary talent our city has to offer.

    We’re also happy to be presenting our upcoming Literary Awards with the continued generosity of The Hamilton Spectator as well as returning sponsors Bryan Prince BooksellerJudy Marsales Real Estate Ltd. Brokerage, and A Different Drummer Books. In addition, we want to acknowledge our long partnership with our Venue Sponsors at Theatre Aquarius who are, once more, providing us with the perfect place to enjoy our ceremony and raise a glass to our winners. With the Norman and Louise Haac Studio Theatre at the Dofasco Centre for the Arts, we couldn’t ask for a better venue in which to hold our celebration.

    Theatre Aquarius - the Hamilton Literary Awards venue

    So, without further ado, here are the Finalists for this year's 22nd Annual Hamilton Literary Awards:


    Moon Baboon Canoe, by Gary Barwin 

    SteelTown for Mary, Memoirs From a Dick, by Martin Durkin

     Skinny-Dipping with the Muse, by Ellen S. Jaffe

    This Award sponsored by Judy Marsales Real Estate Brokerage



    Hidden Harvest, by Mark Coakley

    Echo Soundings: Essays on Poetry and Poetics, by Jeffery Donaldson

    The House with the Parapet Wall, by John Terpstra

    This Award sponsored by A Different Drummer Books



    The White Oneida, by Jean Rae Baxter

    Smoke River, by Krista Foss

    Carafola, by Christine Miscione

    This Award sponsored by Bryan Prince Bookseller



    Deadly Venture, by Chris Laing

    Revenge on the Fly, by Sylvia McNicoll

    The House with the Parapet Wall, by John Terpstra

    This Award sponsored by The Hamilton Spectator


    This year's Awards will take place at Theatre Aquarius' Dofasco Centre for the Arts on December 08, 2015. Doors will open at 7 PM with the ceremony getting underway at 7:30. As always, we'll provide complementary snacks along with a cash bar and some music to carry the night along. Admission will be Pay-What-You-Can so we hope you'll join us to help celebrate the holiday season with true bookish style.

    For tickets, visit our Eventbrite listing and check out the Facebook Event page for further updates!

  • WWI Commemorative Fall Tour 2015: Part Two

    October 23, 2015 by Marie Franek

    (This is the second of a 4-part series of blog posts following Studio Babette Puppet Theatre's travels to three different WWI Commemorations in three different cities, to perform their WWI play with puppets, From Ruthven to Passchendaele)

    by Kerry Corrigan

    When you are a travelling puppet troupe, you learn very quickly that the ability to adapt to your venue is crucial. We have many different kinds of shows, and some of them don't require much space. But our two historical plays, From Ruthven to Passchendaele and Young Sophia: the Dundurn Castle Diary, are full scale productions with lights, sound effects and music, and a set that we assemble on the spot, made of PVC-type tubing hung with blacks. We need room to perform and sometimes it's a squeeze!

    We had received images and dimensions for our gig last weekend in Southampton at the Bruce County Museum & Cultural Centre, so we knew we were in for a tight fit with our one hour play which includes a table out front, back projection and 13 rod puppets. The Museum theatre has lights and sound, run from a booth, so we didn't need to bring all of our own tech equipment, (which is considerable and wouldn't have fit anyways), but it meant we'd have to learn their system, focus the lights and set new sound levels.

    There is always a little anxious anticipation when you head out to perform at a new (for you) venue. Add the fact that it's 2.5 hours away, and if you forget anything you are SOL, and the nerves factor increases.

    Well, we couldn't have been happier with the facilities and our reception in Bruce County. We were offered help with our move-in and tech set up by Chris, an actor, techie and theatre graduate who was very responsive to our needs. The theatre itself was a little gem, a tiny stage with stairs either side (more on THOSE later) but a lovely raked seating area with great sight lines and acoustics.

    After setting up on Friday, we had a lovely dinner in town and then headed to our hotel for pool frolicking and Blue Jays. We awoke refreshed and ready to perform, knowing everything was set to go at the Museum. Upon arrival, we saw the other exhibitors readying for the day long event at the Museum, The Great War Commemorated: A Family Event. What fun it was to look at so many interesting displays and chat with the exhibitors. As well, the Museum's vast permanent collection spread over two floors really gives you a feel for life on the shores of Lake Huron over many generations.

    We had small but appreciative audiences for our shows, and there were even a few tears at the end. The most exciting part was when I fell down those stairs while making an entrance for a scene . . . there was a huge gasp in the audience as I tumbled to the floor carrying the boat bringing Violet and her daughter Peggy to England. Luckily I recovered just fine and was even able to open the next scene with an appropriate ad-lib, as my puppet Peggy straightened her hat and commented on the “rocky crossing”. The audience laughed, as it signalled I wasn't injured, and the play carried on! It was a successful visit all round and we sincerely hope we get invited back.

    We'll have no such trepidation when we set out to Cayuga on Saturday, to set up for Sunday's performance at Ruthven Park National Historic Site in the Coach House. This is where the play originated and we've performed here many, many times, for students and the public. We are also hoping to run into some of the same WWI exhibitors from last weekend.

    Ruthven Remembers: Commemorating the Great War
    Sunday October 25; 2 pm
    243 Haldimand Hwy. #54, Cayuga
    (905) 772-0560

    It's such a lovely drive to Cayuga, please think about coming. Or plan to see our last two shows on the tour:

    Hamilton Goes to War – A Day of Commemoration
    Saturday November 7; 1pm & 3pm
    Dundurn National Historic Site
    Hamilton Military Museum
    610 York Boulevard, Hamilton
    (905) 546-2424

    All for now,


  • WWI Commemorative Fall Tour 2015: Part 1

    October 14, 2015 by Marie Franek

    by Kerry Corrigan

    This has been a year of firsts for Studio Babette Puppet Theatre. It was our first time doing a full run in a Fringe festival, and we sure picked the best one, our hometown Hamilton Fringe Festival. Performing in the Studio Theatre at Theatre Aquarius, with the support of a professional stage manager, in a room that actually goes black(!), with more professionals just outside the door handling box office – well, we felt really spoiled. We were part of the Family Fringe, geared to audiences of a tender age. Then there was the honour of being part of such a happy, committed group of artists, from home and away, including performers, technicians, administrators – everybody was just really cool.

    It was especially significant for me personally because I felt like I'd come full circle. You see, I was the head theatre writer at VIEW Magazine when the very first Hamilton Fringe Festival debuted in 2002. VIEW was the media sponsor, and I scrambled to put together a team of writers, to make sure that every single show had a brief review - 39 shows in 5 venues. It was an intense experience, seeing so many terrific shows from the unique perspective of the critic's free seat. To be performing our puppet play, Where Are You Cinderella? this summer, so many years after I'd been on "the other side", was a poignant little brain flip for me.

    But enough of the past. On to the future. That brings me to our second first (huh?) - our first tour. Our WWI Commemorative Fall Tour 2015, to be exact. We're playing three fascinating historical/cultural venues. We kick it off this weekend, at Bruce County Museum & Cultural Centre in Southampton, up on the shores of beautiful Lake Huron. On Thursday, we'll have a line run and discuss last minute details, and load the cars. Friday morning we're on the road, 3 puppeteers and one stage manager, and enough puppets, set, props, drapes, projection equipment and various odds and ends to fill 3 vehicles. We'll set up there in the afternoon in preparation for:

    The Great War Commemorated: A Family Event
    Saturday October 17; 11am & 2:30pm
    From Ruthven to Passchendaele
    Bruce County Museum & Cultural Centre
    33 Victoria St N, Southampton
    (519) 797-2080

    We'll bunk down in a hotel in Port Elgin, 2 to a room, on Friday night and wake up refreshed and invigorated, ready to tackle our free breakfast, greet the day and give two performances of our hour-long play with puppets, From Ruthven to Passchendaele. Based on the true story of the Thompson family of Ruthven, this original production was commissioned by Ruthven Park National Historic Site for Remembrance Day 2012. It shows the contrast of the genteel life in the manor with the mud and misery of the trenches in France, and the quiet healing in the hospitals in London. There's humour, tragedy and plenty of period music. Told with 13 original table-top puppets, in authentic uniforms and outfits, this play is designed to be especially relevant for students in middle school, who study the Great War in Grade 8. We recommend it for kids age 8 and up, adults and particularly, seniors.

    Next weekend we're bringing the show to Ruthven Park National Historic Site, Sun Oct. 25, and then we'll be at Dundurn National Historic Site, sponsored by the Hamilton Military Museum, on Sat. Nov. 7. More on that later.

    I'll check back in next week and let you know how our road trip went, whether we had any disasters and how we were received. Full tour info on our website